A study after one of Diego Velasquez’s studies for his painting that is sometimes referred to as ‘Three Men at a Table’. I found this study of particular interest because it contained a woman in the middle seat, yet many of his biographers have claimed that the final painting is an allegory of Velasquez’s life. Where he, as the painter would be seated at as the fourth person at the table and each of the people seated at the table represent him at a stage of his life.

A study after one of Diego Velasquez’s studies for his painting that is sometimes referred to as ‘Three Men at a Table’. I found this study of particular interest because it contained a woman in the middle seat, yet many of his biographers have claimed that the final painting is an allegory of Velasquez’s life. Where he, as the painter would be seated at as the fourth person at the table and each of the people seated at the table represent him at a stage of his life.

A study after one of Diego Velasquez’s studies for his painting that is sometimes referred to as ‘Three Men at a Table’. I found this study of particular interest because it contained a woman in the middle seat, yet many of his biographers have claimed that the final painting is an allegory of Velasquez’s life. Where he, as the painter would be seated at as the fourth person at the table and each of the people seated at the table represent him at a stage of his life.

A study after one of Diego Velasquez’s studies for his painting that is sometimes referred to as ‘Three Men at a Table’. I found this study of particular interest because it contained a woman in the middle seat, yet many of his biographers have claimed that the final painting is an allegory of Velasquez’s life. Where he, as the painter would be seated at as the fourth person at the table and each of the people seated at the table represent him at a stage of his life.

Posted 1 year ago & Filed under Diego Velasquez, painting, View high resolution

About:

Feralo is the creative portfolio of Noah Spahn. Spahn is a painter with degree in Studio Arts from Biola University, a deep interest in several marked periods of Art History, and Artists ranging from Caravaggio to Immendorf.

His work is typically a veiled glimpse into some facet of his current musings. The mediums used vary as much as their application, whilst the human form is generally the vehicle. Themes may include transcendental aesthetics or the rejection of visceral urges amidst the complexities of commonplace social environs. He has also been known to produce the occasional 'automatic painting', the interpretation of which probably lies in the realm of his unconscious.

During his 25 year career as an Artist, Spahn has worked as a commissioned limner, 3D modeler, architectural draftsman, aerosol muralist, portraitist, graphic designer, creative consultant and advertising director.